Societatea Muzicala organizeaza un curs de cultura generala cinematografica. Este un curs concentrat si intensiv, de nivel academic.
Mari nume si mari filme din istoria cinematografiei. Analiza stilistica
Trimestrul I – Pana la Noul Val (7 cursuri)
Inceputul
- Cinematograful primitiv (1893-1903): Fratii Lumiere, L’Arrivee du train dans la gare de la Ciotat; L’Arroseur arrose (1895), Georges Melies, Eugene Premio, Edwin S. Porter.
- Louis Feuillade (1905-1912)
- David Griffith (1908-1919)
- Cinema impresionist (1918-1929). Abel Gance, Marcel L’Herbier, Germaine Dulac, Jean Epstein, Louis Delluc
- Cinema expresionist (1920-1927). 1920, Robert Wiene, The Cabinet of Dr. Caligari. F.W. Murnau, Faust (1926), Fritz Lang, Metropolis (1927), M (1931) si Testament des Dr. Mabuse (1932)
- Kanmmerspiel. F. W. Murnau, The Last Laugh (1924)
- Cinema de avangarda. Filmul abstract. Viking Eggeling, Diagonal Symphonie (1923), Henri Chomette. Jeux des reflets et de La vitesse, Cinq minutes de cinema pur, Germaine Dulac Disque 927 (1928), Theme et variations (1928), Arabesque (1929); Hans Richter, Ghosts before Breakfast (1928). Filmul dadaist. Walter Ruttmann Lichtspiel Opus 1, Lichtspiel Opus 2, (1921), Ruttmann Opus 3 (1924), Ruttmann Opus 4 (1925), Lotte Reiniger The Adventures of Prince Achmed (1926); Rene Clair Entr’acte, Dudley Murphy & Fernand Leger Ballet mecanique, Len Lye, Tusalva, Man Ray, Retour a La raison (Return to Reason, 1923 ), Marcel Duchamp Anemic cinema. Laszlo Moholy Nagy, Ralph Steiner’s H20 (1929)
- Cinema suprarealist. Man Ray, Emak Bakia (1927), L’Etoile de mer (1927), Germaine Dulac, Seashell and the Clergyman (1928), Bunuel si Dali, Un Chien andalou (1928), Luis Bunuel, L’age d’or (1930), Jean Vigo, Zero de conduite (1933), Jean Cocteau, Le Sang d’un poete (1932)
- Alte filme experimentale
- Montajul sovietic (1924-1930). Serghei Eisenstein, Strike (1924), Potemkin, (1925), October (1928); Dziga Vertov, Man with a movie camera (1929)
- America 1920. Comedia. Charles Chaplin, Harold Lloyd, Buster Keaton, Stan Laurel and Oliver Hardy. Westernul. Filmul Horror. Filmul cu gangsteri
- John Ford Stagecoach (1939)
- Carl Theodor Dreyer The Passion of Joan of Arc (1928), Vampyr (1932), Day of Wrath (1943), Ordet (1954)
Aparitia sunetului. 1926-1945
- Charlie Chaplin City Lights (1931), Modern Times (1936), The Great Dictator (1940)
- John Ford Young Mr. Lincoln (1939), The Searchers (1956)
- Howard Hawks His Girl Friday (1940)
- King Vidor Stella Dallas (1937)
- John Huston The Maltese Falcon (1941)
- Orson Welles Citizen Kane (1941), The Trial (1962)
- Alfred Hitchcock, Rear Window (1954)
- Kenji Mizoguchi
- Yasujiro Ozu
- Leni Riefenstahl, Triumph of the Will (1935), Olympia (1938)
- Jean Renoir Une Partie de campagne (1936), Grand Illusion (1937), Rules of the Game (1939)
Europa. Neorealismul. 1945-1960
- Roberto Rossellini, Rome Open City (1945), Paisa (1946), Germany Year Zero (1941),
- Vittorio de Sica, Bicycle Thieves (l948), Umberto D (1951)
- Luchino Visconti, La Terra Trema (l947)
Alti europeni
- Michelangelo Antonioni Il Grido (1957)
- Roberto Rossellini, Voyage to Italy (1954)
- Luchino Visconti, Death in Venice (1971)
- Federico Fellini La dolce vita, 8 ½ (1963)
- Bunuel Viridiana (1961), The Exterminating Angel (1962), The Discreet Charm of the Bourgeoisie (1972), That Obscure Object of Desire (1977)
- Andrzej Wajda Ashes and Diamonds (1959)
- Ingmar Bergman Wild Strawberries (1957), Persona (1966)
- Robert Bresson Diary of a Country Priest (1951), A Man Escaped (1956), Pickpocket (1959), Au Hasard Balthasar (1966)
- Jacques Tati, Les Vacances de M.Hulot (1953), Play Time (1967)
Trimestrul al II-lea – Dictatura Hollywoodului (7 cursuri)
La nouvelle vague
- Claude Chabrol Le Beau Serge Les Cousins
- Jean-Luc Godard, A Bout de souffle (Breathless)
- Francois Truffaut Les Quatre cent coups (The 400 Blows)
- Eric Rohmer, Ma nuit chez Maud (1969)
- Jacques Rivette, Paris nous appartient (Paris Belongs to Us)
Cinematograful de arta
- Alain Resnais, Last Year at Marienbad (1961)
- Agnes Varda, Cleo from 5 to 7 (1962)
- Marguerite Duras India Song (1975)
- Pier Paolo Pasolini Œdipe roi (1967)
- Bernardo Bertolucci The Spider’s Stratagem (1970)
- Roman Polanski Knife in the Water (1962)
- Jiri Menzel Closely Watched Trains (1966)
- Milos Forman Loves of a Blonde (1965), The Firemen ‘s Ball (1967)
- Dusan Makavejev Love Affair, or the Tragedy of a Switchboard Operator (1967), Innocence Unprotected (1968)
- Miklos Jancso Red and the White (1967), The Round-Up (1965)
- Nagisa Oshima
- Cinema novo. Glauber Rocha. Julio Bresanne
Hollywood. 1970
- Stanley Kubrick 2001: A Space Odyssey (1968)
- George Lucas
- Francis Ford Coppola
- Robert Altman
- Woody Allen
- Brian de Palma
- David Lynch
- Martin Scorsese
- Steven Spielberg
- John Cassavetes
Rusia
- Andrei Tarkovsky
- Paradzhanov The Color of Pomegranates (1969)
Cinematograful de autor
- Theo Angelopoulos
- Chantal Akerman
- Hans-Jurgen Syberberg Parsifal
- Jean Marie Straub and Daniele Huillet The Chronicle of Anna Magdalena Bach (1968)
- Rainer Werner Fassbinder
- Chris Marker, La Jetee (1962), Sans soleil (1982)
Trimestrul al III-lea – Regizorul in prim-plan (7 cursuri)
Filmul contemporan. 1970-2000
- Jaco Van Dormael
- Peter Greenaway
- Ettore Scola
- Pedro Almodovar
- Aki Kaurismaki
- Lars von Trier
- Tom Tykwer
- Werner Herzog
- Wim Wenders
Filmul de azi
- Jean Jacques Beneix
- Luc Besson
- Leos Carax
- Gaspar Noe
- Michael Haneke
- Bela Tarr
- Krzysztof Kieslowski
- Alexandr Sokurov
- Nuri Bilge Ceylan
- Abbas Kiarostami
Megaproductiile si filmul post-postmodern. 1980-2000+
- James Cameron
- Quentin Tarantino
- Cristopher Nolanu
Noul cinema romanesc. 2000+
- Cristian Mungiu
- Cristi Puiu
- Radu Jude
- Corneliu Porumboiu
… acesta este programul cu tematica detaliata a cursului pentru Anul al II-lea („Master”)
Participanti: doua grupe de cate 12-15 studenti; se organizeaza la cerere, doar pentru companii.
Durata: 21 de cursuri de cate 2 ore fiecare
Profesori: Coordonatorul cursului si lectorul principal este Dr. Mircea Deaca de la Facultatea de Litere a Universitatii din Bucuresti, critic de film si artist vizual, conducator de teze de doctorat in domeniul studiilor culturale. Mircea Deaca preda teoria si analiza filmului din perspectiva cognitiva, precum si istorie de cinema. Preda la Facultatea de litere a Universitatii din din Bucuresti cursul de Introducere in analiza de film si cursul de Film romanesc contemporan la Scoala doctorala Centrul de excelenta in studiul imagini (CESI) – Spatiu, Imagine, Text, Teritoriu. Preda, tot la Universitatea din Bucuresti, un curs despre traditia de carnval si filmografia regizorului italian Federico Fellini la departamentul Istoria artei al Facultatii de istorie. Este autorul cartilor Carnavalul si filmul lui Federico Fellini (2009), Camera secunda (2011), Cinematograful postfilmic (2013), Anatomia filmului (2013) si Investigatii in analiza cognitiva de film (2015). A coordonat volumul de studii Images (2014) dedicat filmelor regizorului Cristian Mungiu.
Locurile de desfasurare: acesta este un curs itinerant; o parte din cursuri vor fi tinute la Facultatea de Litere a Universitatii din Bucuresti, altele, in sali ale altor institutii academice si de cultura, in galerii de arta, cladiri private etc.
Inscrieri: cursuri@societateamuzicala.ro
Nota: Am scos semnele diacritice din texte deoarece anumite telefoane, tablete sau chiar calculatoare nu le pot recunoaste!
